Frank Zappa – Ship Arriving Too Late To Save A Drowning Witch

2 min de lecture
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Review

ART COVER / LABEL
9/10
RECORDING QUALITY
9/10
Production
10/10
Audience response
7,5/10
LOVING IT
9/10
Overall
9.3/10

If this album is one of Zappa’s most accessible work from early ’80s, yet it remains a complex and fascinating work, with an exploration of the emerging new wave and post-punk sounds

A great Zappa’s satirical humor signature, virtuosic musicianship and genre-blending experimentation. The album combines rock, jazz, classical, avant-garde, and comedy, but it also has a more polished, commercially viable sound compared to some of his earlier, more avant-garde work. Ship Arriving Too Late to Save a Drowning Witch was released in May 1982, and digitally remastered in 1991. It features five tracks composed by Zappa, and one song, Valley Girl, co-written by Moon Unit Zappa, his daughter, who provided the spoken monologue mocking some of the Valley girls at her school…

Few words about the record

Zappa’s production on Ship Arriving Too Late to Save a Drowning Witch is slick and clean compared to some of his earlier, more raw recordings, reflecting the more mainstream musical climate of the early ’80s. The album features a mix of synthesized sounds (reflecting the rising popularity of synthesizers at the time) and Zappa’s signature guitar work, which still sounds just as unpredictable and unique as ever. The rhythm section is sharp and intricate, with a rhythm guitar often providing a bedrock for more complex melodic and harmonic structures to play off of. Zappa’s mixing choices emphasize clarity, allowing each musician’s individual contribution to shine.

Steve Vai’s presence is a highlight—his virtuosity and technical skill as a guitarist are evident throughout the album. Vai brings a dynamic edge to Zappa’s already complex compositions, adding a layer of intensity and flair that complements the album’s more melodic and experimental moments. In the end, Ship Arriving Too Late to Save a Drowning Witch is a sharp, clever, and often hilarious album that captures Zappa at a transitional moment in his career, maintaining his trademark wit and inventiveness while navigating the shifting musical trends of the era.

Fondateur de Houz-Motik, Cyprien Rose est journaliste. Il a été coordinateur de la rédaction de Postap Mag et du Food2.0Lab. Il a également collaboré avec Radio France, Le Courrier, Tsugi, LUI... Noctambule, il a œuvré au sein de l'équipe organisatrice des soirées La Mona, et se produit en tant que DJ.

2 Comments

  1. i have that album…im a major Zappa nut….i loved most of the work on there…but « Envelopes » was my favorite… »Drowning Witch » was kinda funny too….

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