This compilation showcases Carl Craig’s brillant early ventures into a variety of electronic genres, from deep house to industrial to ambient
While this compilation may not be as accessible as his later works, it provides a deeper understanding of Carl Craig’s musical evolution and his contribution to the broader electronic music landscape. For those who appreciate the darker, more experimental side of techno and electronic music, Elements 1989-1990 is an essential listen, an historic piece that every music lovers must have, awesome. Artwork By – Abdul Haqq aka Abdul Qadim Haqq…
Few words about the record
The production on Psyche / BFC: Elements 1989-1990 is a fascinating mix of lo-fi, experimental, and ambient techniques that capture the raw, underground feel of the late ‘80s and early ‘90s electronic music scene. In contrast to the polished, club-oriented techno that Carl Craig would later become known for, the early Psyche and BFC tracks present a much more experimental and boundary-pushing approach to electronic music.
The Psyche tracks feature the lush, melodic synths and deep basslines that became synonymous with Craig’s style, but they have a rougher edge—more minimalistic, less glossy than his later work. There’s a strong emphasis on atmosphere and mood, with subtle layers of ambient sound and rhythmic loops that create a hypnotic listening experience. The more melodic tracks from Psyche still feel grounded in house and techno, but they also explore ambient textures, adding a layer of introspection that makes the material feel timeless.
The BFC side is darker, more abrasive, and much more experimental in its approach to rhythm and sound design. The industrial influences are clear, with mechanical rhythms, distorted vocals, and raw, unprocessed textures that contribute to a harsh, alien feel. These tracks are less accessible than the Psyche material but demonstrate Carl Craig’s willingness to experiment with dissonance, texture, and non-traditional structures. They push the boundaries of electronic music, and while they’re not as refined or polished as the later work Craig would become known for, they offer a unique snapshot of his early musical explorations.