Paul Williams – Phantom Of The Paradise

3 min de lecture
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Review

ART COVER / LABEL
9/10
RECORDING QUALITY
8,5/10
Production
10/10
Audience response
7,5/10
LOVING IT
10/10
Overall
9.7/10

A cult work from the 1970s, Phantom of the Paradise by Brian De Palma is carried by the captivating music of Paul Williams

Playing Swan, an evil producer, Williams creates an unforgettable soundtrack and exposes the corruption of the music industry with compositions that are as dark as they are captivating. Do I need to say that this is totally « Cult » ?! I love it, and still wish I can someday find the percussive instrumentals from the scene of the party. It’s the only Brian De Palma musical movie (for now) and especially a great artistic collaboration with Paul Williams, who perform the original soundtrack as he act for the movie…

Few Words about the record…

Paul Williams is the musical architect of the cult film Phantom of the Paradise (1974), a unique work that combines rock opera, Hollywood satire and gothic horror in an explosive story. Williams, as a composer, performer and actor, plays the character of Swan, a Machiavellian producer willing to do anything for fame, in this modern retelling of The Phantom of the Opera by Brian De Palma. His work on the soundtrack is the central element of the film, bringing to life an eccentric, vibrant sound world deeply rooted in the musical culture of the 1970s.

Williams’ songs deftly navigate between styles: from rock to pop, rockabilly and elements of glam rock. Tracks like Goodbye, Eddie, Goodbye  and Faust showcase Williams’ talent for capturing and parodying the essence of genres, while delivering melodically rich and thematically dark compositions. His music, full of irony, brings out the madness of the characters and adds emotional depth to the story. Phantom of the Paradise is often seen as a critique of the music industry, with Swan as a symbol of the voracious capitalism that corrupts the purity of art. Williams’ soft yet evil voice reinforces this sinister aspect of the work, creating an antagonist who is both charismatic and frightening.

The soundtrack fits so well with the aesthetic of the film that each song becomes an extension of the narrative themes: love, obsession, betrayal and immortality. Although Phantom of the Paradise was not an immediate success upon its release, it became a true cult phenomenon, in part thanks to the musical and artistic impact of Paul Williams. This blend of rock opera, satire and tragedy left its mark and inspired many artists, helping to make Paul Williams not only a talented composer but also a visionary in the world of rock musicals.

Fondateur de Houz-Motik, Cyprien Rose est journaliste. Il a été coordinateur de la rédaction de Postap Mag et du Food2.0Lab. Il a également collaboré avec Radio France, Le Courrier, Tsugi, LUI... Noctambule, il a œuvré au sein de l'équipe organisatrice des soirées La Mona, et se produit en tant que DJ.

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