Rick Wade – Late Night Basix Vol. 2

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Review

ART COVER / LABEL
8/10
RECORDING QUALITY
9/10
PRODUCTION
10/10
AUDIENCE RESPONSE
9/10
LOVING IT
10/10
Overall
9.2/10

Late Night Basix Vol. 2 is a masterful EP that encapsulates the essence of deep house at its best: introspective, soulful, and endlessly groovy

Rick Wade’s ability to balance subtlety with emotional depth makes this record a must-listen for fans of classic deep house and anyone seeking a soundtrack for those reflective late-night moments. Wade has always been a figure of respect within the underground house scene, and Late Night Basix Vol. 2 is a shining example of why. Its influence can be traced through the subsequent wave of producers who sought to emulate Wade’s soulful, no-frills approach to house music…

Few words about the record

Released in 1999 on Harmonie Park, Late Night Basix Vol. 2 is a hallmark of Rick Wade’s refined and soulful approach to deep house. Hailing from Detroit, Wade blends the Motor City’s gritty pulse with a lush, emotive sensibility that elevates this EP into timeless territory. With its warm atmospheres, hypnotic grooves, and understated elegance, this record captures the essence of late-night house music. Wade’s production style is understated but impeccably polished.

The mixes were really smooth, and I remember how amazing I thought it was when they would blend two records together. It was back then that I knew I wanted to be a DJ just so I could blend records together and try to come up with something new (R. Wade)

He builds each track with a meticulous focus on texture and atmosphere, eschewing big drops or gimmicks in favor of subtle evolution and groove. The EP feels organic, its warmth reminiscent of analog studio sessions, a hallmark of the late ’90s deep house scene. The title Late Night Basix is fitting—this is music designed for intimate, late-night settings, where the focus is on connecting with the rhythm rather than flashy peaks. The restrained use of melody and the lush, enveloping soundscapes evoke a meditative quality, making it equally suitable for club sets or personal listening.

Fondateur de Houz-Motik, Cyprien Rose est journaliste. Il a été coordinateur de la rédaction de Postap Mag et du Food2.0Lab. Il a également collaboré avec Radio France, Le Courrier, Tsugi, LUI... Noctambule, il a œuvré au sein de l'équipe organisatrice des soirées La Mona, et se produit en tant que DJ.

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